Forlatt, from Norway’s Vali, is probably the most serene and effective neofolk albums I’ve ever heard. It just happens to be so tragically underwritten. Who is this virtuoso, with their impeccable sense of melody, intricate acoustic guitar work and neoclassical aspiration? I really have no idea. All I know is that this album is a gem worth digging for as it rivals the very best works from the genre, including Ulver’s revered Kvldssanger and the best Empyrium albums.

So what makes this masterpiece such a standout? Maybe its own reluctance to being a masterpiece is key, as its soothing compositions move with calm patience, letting each arpeggio descend and cello ache  organically. Nothing about this album can be called pretentious, overwrought or overwhelming, its performances hold a power that is emotionally resonant and deeply comforting. Its has peace and beauty to it and seems to convey scenes of natural solitude or of a love so sound that it isolates, conceals and protects itself from the harshness of the world.

Even if you are familiar with other bands in the neofolk genre, like Tenhi, Empyrium, October Falls, etc., this is still worth the effort to uncover. Whereas its contemporaries are often dark, unsettling and mournful, Vali is uplifting and heartrendingly beautiful. I hope we haven’t heard the last from this mysterious musician.

01. Naar Vinden Graater
02. Dypt Inne I Skogen
03. Et Ensomt Minne
04. Nordlysets Dans
05. Lengsel
06. Sorg
07. Skumringens Omfang
08. Her Ute I Moerkret
09. Taake
10. Doedens Evige Kall